Hunter/Hunted: Artist Statement

This is the artist statement for the series I am finishing up right now. It consists (or will by the end of next week) of 8 18″ X 24″ drawings in chalk pastel and graphite. (More pictures up by the end of the week, hopefully.)

This series began with a question: what is violence? I knew the word “love” as I had understood it most of my life was untruthful, wanting to always be clean-handed and celebratory. I knew what I called love could turn blood-hungry with ease and quickness. I watched a documentary of Doris Salcedo installing her giant “Shibboleth” crack in the floor of London’s Tate Modern Turbine Hall. It felt violent to me—a sharp attack by the Colombian artist against “first world arrogance” and racism—and yet vulnerable, full of the fight that comes from devotion to justice. Read More

“Esperando Tu Olvido”

This is a little rough piece of writing. But that’s what blogs are for, right? Names have been changed for reasons of basic good manners.

Love is at least partly about being located. I loved him, therefore I was; I loved him powerfully, therefore sweated, dreamt, was feverish with strength.
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